Listed chronologically, with scores, recordings, and videos where possible. Some of these pieces have found homes in the hands of great performers, some have found homes on recordings, and some are still searching for homes. If you think you can provide a home for one of these pieces, please be in touch with me!
For Soprano and Two Pianos
Text by Carmen Malis King. Carmen is one of my favorite poets in the world, and also happens to be my wife. I'm grateful to her for lending me these three pre-existing fragments for the sake of this piece. I wrote this piece while we were engaged, and I believe it brought me closer to her and we prepared for marriage.
This piece deals with cycles, and particularly deals with cycles that are two slow to perceive but are nonetheless present, embedding cycles on a structural level.
To purchase a score, contact me.
Recording performed by Caroline Quick (soprano), Wataru Niimori (piano), and Zi Ang Han (piano) in Milna, Croatia, July 2017.
Just putting this out there: I would LOVE if someone commissioned me to arrange this for one piano and voice. Perhaps as part of a larger song-cycle utilizing Carmen's poetry, or dealing directly or tangentially with these themes? Just putting that out into the universe so that maybe one day it will actually come true.
Etude No. 1
For improvising pianist and interactive score
Etude No. 1 is a concert etude for an improvising pianist. By definition, an etude focuses on specific technical challenges. This etude keeps with that tradition by focusing on challenges related to improvisational technique. It takes as a starting point a relatively limited scope of material, and presents the pianist with several points of entry into that material. This particular etude uses a single pitch collection as its starting point, deriving all of its material from that one collection.
The score for this piece is triggered using Max. The score is split up into seven “scenes”. In all but one scene, the performer is required to manually advance from one scene to the next. One scene moves automatically to the next scene.
The score in the PDF reader below is a PDF version of the Max patch. If you'd like to purchase the Max patch or the PDF version of the score, contact me directly.
Here's a screencap of the Max patch running during a performance of the piece. Performed by myself:
Here's a live performance, from Scholes Street Studios (Brooklyn), February 18 2017.